Multiple lives intersect in the aftermath of the violent mugging of a Columbia University philosophy professor.
A snowy New York City night, a beloved teacher, a shocking crime: this provocative drama pieces together the puzzle of a man's life just before it changes forever. While on his way home one evening, Walter Zarrow (Sam Waterston), a popular Columbia University philosophy professor, is violently attacked on the street. Flash back one week, as actor-director Tim Blake Nelson traces the domino effect of events that led up to this seemingly senseless assault. Along the way, hidden connections between a seemingly disparate group of people-including a self-destructive student (Kristen Stewart), a hard-drinking suburban housewife (Gretchen Mol), and a desperate junkie (K. Todd Freeman)-emerge, forming a complex, engrossing mosaic of lost souls united by tragedy. The stellar ensemble cast includes Glenn Close and Michael K. Williams.
Multiple lives intersect in the aftermath of the crazy mugging of a Columbia College idea professor.
I agree with the additional writer that digest after and you might want to step from this film. I found myself struggling to also blink from the end. I might also dare state that you’ve to have existed and more thus, lived through a little living to actually appreciate the movie. I really donot see younger collection finding their heads out of their cell phones enough to get this movie seriously’s total, but I hope they attempt. I adored the way the tale loops back as well as the extremely last arena strapped it-up so efficiently. From the youngest personalities towards the more professional, the effectiveness of humans’ state of everyone’s today was spoton. Every figure was plainly discovered by me with somebody I’ve acknowledged, which managed to get that more horrifying and that more pertinent also. Excellent.
Great ensemble cast in a video about life, living, what we do with our power and what it-all means. I questioned after I finished it myself queries and seriously considered this flick a whole lot. That is what I seek out in a film.
E. Stewart and Todd Freeman are standouts here. Their trips have many characteristics. Outstanding work by all.
Phase back from your film a little and enjoy/explore the questions it poses instead of dig too deep. The structure that was subplot was loved by me but would have appreciated additional time with much more communication and them.
Did not enjoy this shift, incredibly gradual. Superior acting but a poor story. Could not make it through the whole video.
Humans enter plenty of trouble trying to get far from their troubles. Your ailments and devotion for every other cannot save us from terrible things happening, nevertheless it does present a sense of route to us. What an unsentimental (which can be not to say pitiless or chilly) view of our disadvantages, along with the associations which might be our, if-not our saving, at least our acceptance. Enjoyed the ruminations tired of indie administrators employing hatred or hookers to give a way of’ gritty fact’, generally hit me as relatively unoriginal and missing imagination, thus kudos to Nelson to be better and much more innovative than that. Great performances by all but the Stewart minutes definitely stood out.
I’m not sure what I think… .I found the flick to be serious and raw occasionally. There were some fragile areas and people. But largely the closing….hated it. Quit you feeling like this account that was wonderful was created along with the writer quit out the phase that was final…would like to understand what the idea was for the closing… am I missing anything? Was this over my scalp?
Tedious vignettes finally (and gratefully) arriving at a depressing conclusion. What an ironic subject to get a picture designed to be a demise that was slow painful. Plus, you are out $7…