Aspiring comic Rupert Pupkin attempts to achieve success in show business by stalking his idol, a late night talk-show host who craves his own privacy.
Comedy’s King is really a bitterly unpleasant satire of showbusiness. Rupert Pupkins is obsessed thus he is aimed at kidnapping one of the best-in the business, with becoming renowned.
Comedy’s Double fancies itself a social satire in regards to the lust for celebrity carried to opposites. But eventually, representative Martin Scorsese’s film can be a seriously misconceived and horrible research of delusional behaviour.